texture…think of it as the subtlest form of patterning…it is what gives clothing its richness and visual depth…
though you may be dressed in black from head to toe…the ribbing on your turtleneck…which sets it apart from the tight weave of your wool gabardine suit…which is in turn complemented by the plushness of your alpaca overcoat and the dull shine of your leather handbag…that is texture at work…
experiment with opposites: the sheen of satin with the earthier roughness of wool; luxurious velvet with basic denim; sheer voile with cotton broadcloth…
playing with contrasting textures can help fudge colors that don’t quite match…and combining items of different textures is a way to vary the seasonality and mood of your wardrobe without having to buy a lot of extras…
and if you are like me…and can’t do the “all black” look…add a pop of color…for me it is either a bright colored handbag…or shoes…
so do you texturize??
some designer texture facts:
miyake – born in 1938, japanese designer issey miyake has been called a sculptor whose medium is fabric…his radical experimentation with pleated, wrinkled, and folded cloth…as well as with basket-woven straw, ikat weaves, and paper fabric…has yielded designs that seem ancient, contemporary, and futuristic…using historically japanese shapes and exotic combinations of materials…miyake subjects his fabrics to punishing treatments in order to bring out well-worn textures and richness…
fortuny – mariano fortuny was born into a prolifically artistic family in granada in 1871…exceeding even his accomplished relatives, fortuny went on to become a staggeringly creative designer and inventor, perhaps most famous for the pleated silk fabric that now bears his name….each of his silk dresses required three to four times their width in material and were stored by gathering up the pleats and tying the dress into a tight ball…making it ideal for travel…the pleats were formed by crimping wet silk between heated porcelain rods, a process which held one of his twenty patents…fortuny died in 1949, but his fashion influence lived on in the collections of such designers as balenciaga and more recently mary mcfadden, karl lagerfeld, and issey miyake…
The more texture in your skin and hair, the better you will look with lots of texture in your clothing. Less texture in your skin and hair, wear less texture in your clothing. Think of an ancient wizened old lady. In a shiny smooth top, those wrinkles will pop out at you. Put her in nubbly or corduroy fabrics, and the wrinkles visually fade.
pat…very interesting…i have always loved texture in my clothing…adds so much interest…but who knew that “nubbly” would make my wrinkles…er..laugh lines…fade =)
thanks for your comments!